We reflect Adorno´s and Horkheimer´s statement that "between the interior and exterior is a gap which the subject must bridge over sub suo periculo (at one´s own risk). In the sea of an overwhelming usage of pseudocolourity we rehabilitate the intensity of black-and-white and the emotionality of color photography.

It means: we want to see things in the spirit of Le Moment Décisif. With our work, we would like to honour Henri Cartier - Bresson and the other founders of the principle of decisive art.

Even the tendency towards aesthetics of Magnum is a mere moment in the process for us - to do things Decisively. Decisively. Decisively.

In particular we are concerned with the infinity of the land of human faces and the face of human lands - with their MAGMA.

We are concerned with the human emotionality in a humane way.

The basis of our work is a consistent and decisive sentiment. Percep- tion. Observation.

In photography, everything is a result of conscious or unconscious decisions.

We do not want to imprecate the darkness, but to light up the beam - in the direct photographic and artistic but also in the figural sense of meaning. We are not concerned with an attitude "against" something, but always in favour of something.

Our clarity addresses and encourages clarity in humans.

Incompleteness of the tenth point is our form of openness for coope- ration with other kinds of classical and non-classical art.